#Log in to my silhouette studio how to

Keep on top of all of your skills and artistic dynamics- drawing from photo reference and imagination, etc. That being said, if you utilize one tool too much, it becomes a crutch. There's a difference between posing a 3D model and drawing everything- including the clothing, anatomy, face, etc and taking finished artwork from Pinterest and tracing over it and copying every detail of ANOTHER ARTISTS' original work. I know a lot of people consider this 'cheating' but in truth, it's JUST a tool to make art, it doesn't make the art for you. Part 2-1 - Utilizing Digital Toolsets - Is it (Technically) Cheating? Considering initially I just needed a body to draw a kimono onto, (and it wasn't going to be a full-on art piece) Clip Studio's 3D model worked perfectly to start with. You can also see that I utilized Clip Studio Paint's 3d Modeling tool to start with. So at this point, I was officially in need of references, which I listed in my prior notes shown above. The piece I was working on was initially just some kimono practice but I decided to make a piece of my original character Mu, considering she wears a kimono and works as a waitress in an Edo-Period-themed story I'm working on. If you write something down for your own personal use, but can't read it, what good is it to you? If you write something down for your own personal use, but no one else can read it- yet you can, then you've reached your objective. The thing is, it's a lot like handwriting. While the second is nothing but flowing lines that are simplified to the core movement/flow/rhythm the models I used for reference displayed in their original pose.Д«oth get the job done but in different ways. The first is very detailed and anatomy-orientated. Don't overcomplicate things unnecessarily, whether it be in relation to art, or even life itself.ДЇor example, the images below I did in 2017-2018, so a few years ago. If you can get a read with three lines, then those three lines are all you need. Sometimes, the more simple something is, the better it reads. Those are all, unfortunately, fancy words that are flowery and overcomplicated, especially to beginners. Gesture, in a genuine sense, is meant to relay only one piece of information - how whatever you're drawing is moving, the rhythm, and the flow of it. So, here's the trick- gesture drawing does NOT have to be the whole 'drawing gestures' concept and nothing else. While most masters will say it's so that you can properly understand and relay motion, rhythm and flow in your poses and artwork, (and while that IS true) there are more than one ways to do gesture drawings than /just/ drawing gestures the way most teachers instruct you to. That being said, gesture drawing is important, and a necessary fundamental you should learn if you want to become a better artist.

#Log in to my silhouette studio how to

I'll start this tutorial off by saying I'm not going to (harshly) lecture you on the importance of gesture or learning how to properly utilize and learn 'gesture drawing' as a technique/s. Part 1 - Preface: Priorities and Personal Growth It DEFINITELY helped me (personally) when coming up with poses and avoiding the frustration I find myself suffering from when trying to properly draw out gestures. I've come to call this technique the 'Silhouette Technique/Method'. As 'posing' is a topic for August's 2021 TIPS contest themes, I wanted to share a super-cool technique with my fellow Clip Studio Tips users.